DBN Gogo provided the musical finale of the show. The dancers were from the École des Sables, an international training and creation centre for traditional and contemporary African dances founded by Germaine Acogny.Īcogny has been involved in the project since its inception, met with singer Obree Daman and his choir in Dakar’s former Palais de Justice. In order to celebrate the artistic scene of this leading cultural capital the show opened with a dance performance titled “The Slow Show”, by the École des Sables and Dimitri Chamblas. The collection had a colour palette of warm yet vibrant colours, seventies collars flared trousers, fitted coats, oversized sweatshirts and multicoloured tweed jackets and dresses. It was an obvious choice, and has been a source of inspiration as well.” “The former Palais de Justice in Dakar, where not only the runway show but also a major part of the accompanying artistic programme are taking place, is one of the most beautiful venues we have ever presented a collection in. Since 2002, it has been presented in different locations all over the world. The Grand Palais phmre was completely done up in tweed for today’s Chanel show: an earthy light brown for the seats, black with shots of pop colors on the walls, and a pale green for the. Chanel The show featured a youthful take on Chanel classics, mixing and matching separates as well as cultural (and. I wanted it to happen gently, over several days of deep, respectful dialoguing,” said Virginie Viard, Chanel’s Artistic Director.ĭesigned between the Chanel Creation studio in Paris and le19M, between Paris and the porte d’Aubervilliers, where eleven of Chanel’s Maisons d’art are located, each year the Métiers d’art collection pays tribute to fashion savoir-faire. The likes of Naomi Campbell and Kate Moss all took to the runway with a sense of whimsy, and it marked Lagerfelds uncompromisingly modern vision of Chanel. Model Daphne Groeneveld walks during Chanel's 2023/24 Cruise runway show. We’ve been thinking about it for three years. But we have learnt that it is impossible to predict what happens in two months time, let alone in October,” said Pavlovsky.“Going beyond the runway show, it’s the event as a whole that I took into account. “As of today in France, the situation is much better than it has been. The swift return of live shows has underscored their importance in the fashion industry, but prospects for the next catwalk season in the autumn remain uncertain. In one year, Chanel changed more than it had done in the 10 years before that.” “But we have reorganised ourselves, launched a new app, focused on local teams around the world and step by step we have recovered the business. “The first part of 2020 was very difficult. With fan-favorite faces such as Adut Akech and Jill Kortleve taking the runway, each section of the 72-look presentation takes viewers on a wild ride of surprises, making it a viable contender. A digital alternative that is more than simply a recorded version of a live event becomes of diplomatic importance during a period when travel privileges are unevenly distributed around an international audience. A few hours after the catwalk show, Chanel released an extended collection video by Sofia Coppola, which included extra footage filmed on the rooftop of the museum, with models striding across its distinctively Parisian zinc tiles. The actor Margaret Qualley closed the show in a flawless ivory bridal gown, smiling broadly at the audience from beneath a veil flecked with pointillist embroidery, and tossed her bouquet into the audience as she left the catwalk.įashion, like the rest of life, is entering a hybrid period in which a slow return to physical meetings will coexist with digital events. There were dresses embellished with waterlilies and a vast feathered hat, as well as the inevitable glitter-tweed jackets. A demure white gown with swags of silk punctuated at the hip with lavish black ribbon bows looked like a Berthe Morisot portrait had come to life. Viard took the quintessentially French charm of impressionism as a starting point for a sweetly nostalgic collection.
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